White Eye
Synopsis
Based on what seems a perfectly straightforward incident—a man finding his stolen white bicycle on a street in the industrial area of south Tel Aviv—the storyline quickly moves from a perceived injustice to a tangled web of moral questions that prove far from easy to resolve.
This topical film has screened at over 100 film festivals, including 23 Oscar-qualifying and won numerous accolades including the Oscar-qualifying Best Narrative Short Award at SXSW Film Festival and “Best Live Action Short Film” nomination at the 2021 Oscars.
Credits
Director(s)
Tomer Shushan
Producer(s)
Shira Hochman, Kobi Mizrahi
Script
Tomer Shushan
Cinematography
Saar Mizrahi
Editor
Shira Hochman
Original Music
Yosefi Shlomo
Cast
Daniel Gad, Dawit Tekelaeb, Reut Akkerman, Amir Busheri, Muhammad Abu- Leil
Original Language
Hebrew
Subtitles
English
Festival Highlights
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Academy Award® Nominated
Best-Live Action Short Film2021 -
WINNER
Jury Award for Narrative Short FilmSXSW -
WINNER
Best Short AwardLeeds International Film Festival -
WINNER
Urbanworld’s Best Narrative ShortUrbanworld FILM FESTIVAL - -
WINNER
Best Short Film AwardHaifa International Film Festival2019 -
WINNER
Best Narrative Short FilmLighthouse International Film Festival, -
WINNER
Best International Short Fiction AwardThe Galway Film Fleadh -
WINNER
Best of Fest AwardSalute Your Shorts Film Festival - LA -
WINNER
SECOND RUNNER UP AWARDBengaluru International Short Film Festival -
WINNER
SIGNIS Award for the Best International Fiction Short FilmGuanajuato Film Festival -
WINNER
Best Narrative ShortWarsaw Jewish Film Festival -
WINNER
Audience AwardRio De Janeiro-Curta Cinema -
WINNER
Best DirectorRio De Janeiro-Curta Cinema -
WINNER
Best filmBadalona Film Festival -
WINNER
Best NarrativeThe El Paso Film Festival -
WINNER
SHORT OF THE YEARBest short -
WINNER
Best ShowSan Jose International Film festival -
WINNER
Golden Fireball Award for Best Short FilmKaohsiung Film Festival -
WINNER
Young Jury Award for Best Short FilmUK Jewish Film Festival -
WINNER
Audience Award for Best Narrative FilmSpokane Jewish Film Festival
SXSW, USA
Krakow Film Festival, Poland
Palm Springs ShortFest, USA
Haifa International Film Festival, Isarel
Vienna Shorts, Austria, Off Competition
The Galway Film Fleadh, Ireland
Lighthouse International Film Festival, USA
Rio De Janeiro-Curta Cinema , Brazil
The El Paso Film Festival, USA
UK Jewish Film Festival, UK
Newport Beach Film Festival, USA
Bengaluru International Short Film Festival, India
Nevada City Film Festival, USA
Rhode Island International Film Festival, USA
Manhattan Short Film Festival, USA
Berlin Jewish Film Festival, Germany
Encounters Short Film Festival, UK
DC Shorts Film Festival, USA
Quebec City Film Festival, Canada
Vancouver International Film Festival, Canada
Tel Aviv International Student Film Festival, Israel
Guanajuato International Film Festival, Mexico
Martha's Vineyard International Film Festival, USA
Nashville Film Festival, USA
Thessaloniki Short Film Festival, Greece
Vienna Jewish Film Festival, Austria
San Jose International Short Film Festival, USA
Cyprus International Short Film Festival, Cyprus
Raindance, USA
CINEMED - Mediterranean Film Festival Montpellier, France
Philadelphia Film Festival, USA
Leeds International Film Festival, UK
Denver Film Festival, USA
Loft Short Film Festival, USA
PÖFF Shorts (Black Nights Film Festival) , Estonia
St. Louis International Film Festival , USA
Africa Rising International Film Festival, South Africa
Solidarity – Tel Aviv Human Rights Festival , Israel
Vilnius International Short Film Festival, Lithuania
Clermont-Ferrand International Short Film Festival, France
NewFilmmakers Los Angeles (NFMLA), USA
Atlanta Jewish Film Festival, USA
Dubai Independent Film Festival, Dubai
Boston Jewish Film Festival, USA
Cleveland International Film Festival, USA
Prague Short Film Festival, Czech Republic
Reviews
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"“White Eye,” Israeli filmmaker Tomer Shushan’s poignant narrative about the thought-to-reaction movements of a Tel Avivian who finds his stolen bicycle in the street.
At 20 minutes and in one continuous take, it progresses like a waltz through the choreographed action of its 10 primary actors, a diverse ensemble of Hebrew speakers from different ethnic backgrounds, each of whom comes with their own internal biases and sense of privilege and place in the greater class structure of modern Israeli society. "
- Variety